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Primer Amor, A 1000 X Hora was a Mexican telenovela, which was produced by and broadcast on Televisa in 2000 and in Brazil in 2003. It is a remake of another Televisa telenovela titled Quinceañera. The 2 main characters were played by teen heart throb Kuno Becker and young Anahí. Both are also known for their musical talents. This teen-oriented soap was one of the highest-rated in its time-slot.

Primer Amor, A 1000 X Hora was a Mexican telenovela, which was produced by and broadcast on Televisa in 2000 and in Brazil in 2003. It is a remake of another Televisa telenovela titled Quinceañera. The 2 main characters were played by teen heart throb Kuno Becker and young Anahí. Both are also known for their musical talents. This teen-oriented soap was one of the highest-rated in its time-slot.

Bernard Hill and Victoria Hamilton star in Alistair Beaton's wickedly funny feature-length drama inspired by David Blunkett's private affair held up for very public scrutiny.

Idrissa lives in the suburbs of Dakar, Senegal. As a result of budgetary restrictions imposed by the IMF, then headed by Dominique Strauss-Kahn, he lost his job as a civil servant. Since then, Idrissa has been looking for work, without success. His pride as an African man is all the more affected by the fact that he is now entirely dependent on his wife, Viviane, who somehow manages to support the family through her medical practice. Aminata (Idrissa and Viviane’s daughter) and Moussa, two young students in love with each other, also see their lives disrupted by the economic situation imposed on the country. After yet another humiliation, Idrissa, who holds Strauss-Kahn responsible for his misfortune, decides to go and see a marabout to prepare his revenge…

A family of farmers wage war against a group of unscrupulous, corrupt speculators who are trying to get their hands on their land.

A deceptive motivational speaker becomes entangled in a deadly game with a fan who suggests they kill each other's spouses.

Gordon, with Eleanor Erdman, delivers a brilliant and blistering assault of distorted guitar noise. The two of them gyrate on a stage barely more than a few square metres in size. Across three screens the camerawork feels as claustrophobic as the stage looks.

The 1998 dramatization of a 1970s UK miscarriage of justice, centered around Stefan Khizcho, and his mother's subsequent battle for his freedom.

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